will jewelry and loan

lowell jewelry and loan don't throw away your old jewelry get cash for your unwanted gold and jewelry got old electronics and tools? we will give you cash for them! we make selling gold easy when you need it most need the perfect ring for the perfect moment come see us your gold always turns into green at lowell jewelry and loan

perhiasan dan logam mulia

why was jewelry important to ancient egypt

greetings! this infinite source truth is made possible by the generous contributions & support of viewers like you! please consider making a contribution now... thank you! so what we want to show here is how awatch, a bracelet, a ring can affect the energy in your body and how it canaffect a pendulum reading first of all i'm going to take my handand i'm going to put it on the pulse marker and i'm going to let the pendulumsimply do what it wants to do is just a reading machine right now okay, and it's going around in a circle now as soon as i took my hand off, the pendulum stopped.

now put the watch on please. previously it was going in the clockwisedirection now let's see what we get well now you can clearly see it's goingin a counter clockwise direction so the watch has affected the flow of theenergy we will remove it now are the answers, source answers affected, still affected? no so the watch makes a difference

is it more beneficial for me not to wear jewelry while receiving source answers? yes is it more beneficial for me not to wear jewelry at all? yes, okay but now let's also take a ring. put the ringon your hand please now i am going to do a reading isn't that amazing how quickly that stopswhenever i remove my hand from him now take and reverse the direction ofthe ring

now we have a clockwise circular patterngoing on here because the ring was reversed now remove the ring entirely so it's a clockwise pattern. which waywas it that had the clockwise pattern? there was a direction for the ring thathad a clockwise pattern if he was going to wear the ring he needed to wear it forthe one that had the clockwise pattern but that could be verified by holding itover the ring and saying is this the right way for this ring to be worn if he was going to wear it? that's a yes answer let's flip it around.

is this a gooddirection for current? and that's a no answer. so it makes a difference. this is the direction that the ring should be worn if it's worn this would apply to your jewelry also in the rings. my suggestion is, you know it's very freeing not to have any jewelry on you. now let's take a cell phone i'm going to do the reading on thepulse marker okay okay, is it most beneficial not to have acell phone on your body?

on your body person? and that's a yes so the electronic gadgets including thewatches and jewelry all mess with the flow of your energy within your body now there goes the ring on neutral i'm going to actually take this ring andflip it around counterclockwise, okay

before it was back and forth counterclockwise now. okay, so the direction to have put that ring on is the counterclockwise direction, because the current of my body would not have been obstructed. this you can also whenever you're going to put it on you don't have to check it because you can't really adequatelycheck yourself, but you can use your pendulum to determine which direction to put it on. you can go like this and you can hold your pendulum. get a yes or a no flip it. yes or a no and then choose thedirection that is... doesn't interrupt the flow now for women that have earringsand pierced ears

you need to use your pendulum also tocheck to see if that even is hindering because actually, that is a point. thepiercing is actually at a point if you look at acupuncture on a meridian chart you should check with your infinitesource self with the pendulum to find out if it's even beneficial to remove that well that's it. thank you for watching! please subscribe, like & share this video. if you found this life changing please consider giving a contribution, and consider supporting monthly or giving a single gift via paypal. links are in the description box below

and be sure to check out these links for guided self hypnosis meditations.

perhiasan dan logam mulia

why was jewelry bonney crying

hey, it’s marie forleo and you are watchingmarietv, the place to be to create a business and life you love. today we are talking with an incredible actress,businesswoman, mother, and wife. like so many of us, she is multipassionateand she’s here to share a bit about her journey to creating a life she truly loves. bryce dallas howard continues to be one ofthe most versatile and dynamic talents both on screen and behind the camera. as an actress, you may have seen bryce inthe oscar nominated film, the help, starring in jurassic world, or you can catch her nowin disney’s pete’s dragon.

bryce made her film debut in m. night shyamalan’sthe village. she also received a golden globe nominationfor her performance as rosalind in hbo’s adaptation of shakespeare’s as you likeit. as a filmmaker, bryce has directed over adozen short films and has received numerous accolades for her work, including being shortlistedfor an oscar in 2012 for her film when you find me. she’s the founder of 9 muse’s entertainmentand lives with her husband seth, their two children, a hilarious puppy, a dignified elderlycat, and countless captive bugs. bryce, thank you so much for coming on marietv.

oh my goodness, thank you so much. it’s very surreal. i feel like i’ve memorized every singlething on this set and, you know, and everyone that you work with are basically celebritiesin my eyes, so this is… this is amazing. this is incredible. well, i love that we’re connected throughb-school, which we’ll talk about in a little bit. but first i just wanted to let you know, themore that i get to learn about you, the more i fall in love with you.

and that’s why i was so excited to haveyou on the show today because you have so many incredible stories that are so relevantfor all of us as creatives. so let’s take it back, let’s travel backin time. ok. most people know you for your knockout performanceslike in jurassic world and the help and so many other things that you’ve done. but what most people probably don’t knowis that you grew up with a learning disability. yes, a few. actually, yes.

can you tell us about…? yes, yeah. it was… looking back on it obviously itwas, like, no fun sort of as it was happening. but looking back on it i realized that itreally… it was a wonderful gift in a lot of ways because in getting diagnosed withlearning disabilities, in the going through school in a way that… i actually loved school, i loved my teachers,i loved my friends, but it was very, very, very challenging for me and it was alwaysa struggle to keep up. and the only way that i was able to keep upwas getting very clear about what my strengths

were. and so in hindsight it was fantastic becausepeople aren’t strong at everything. like, they shouldn’t be because we all needour specialized things that only we can do, like what, you know, that special gift thatonly you have. and i think just going through all of thati realized, ok, i’m very good at one thing. i’m pretty good at 4 or 5 things. and that’s how i’m gonna live my life,and it’s been really wonderful. what exactly were your learning disabilities? yeah.

totally. so basically the way it all evolved was when… i was a really happy kid, was always a happykid and sweet and stuff. and so teachers liked me and everything. and so it always pained them so much to haveto, like, bring my parents in and say, “we don’t know if she can go on to first grade.” you know? stuff like that, because i was working hardand they just, you know, they all wanted me to win.

and it’s… the first kind of red flag wasactually when i was in kindergarten going into first grade and just not being able tounderstand the concept of reading, not really understanding words or writing. and it was still early but everyone couldsee that i was going to have significant reading difficulties. as i got older, it became clear that therewere some other things as well. i mean, these are, like, technical terms. i have a processing deficiency, which is amazingbecause i got to take my sats untimed, so that was… that worked out for me.

but it is… i need to take my time with certain things,and that’s just a reality. and i think… i mean, i understand that it’s considereda disability, but i don’t feel that being thorough is a negative thing, and i’m justthorough. and then there was also a visual processingdeficiency, which is that basically i never know where i am at any time and i can’treally… like, i get lost very easily. but as it applies to school, just conceptuallyif i look at a map of the united states of america, i know where california is, i knowwhere florida is, and i don’t think i know

where anything else is. i have a general sense of things, but it’sjust very difficult for me to understand… i don’t know if it’s the geometry of itor what it is, but it’s just… it’s tricky for me. so when i was… this all kind of came toa head when i was in 7th grade and the pressure had been mounting in terms of, my school wentthrough 9th grade, getting into a high school. and a lot of the kids at my school were reallyambitious and they wanted to go to, like, exeter and, you know, just like these verychallenging academic high school programs. and my teachers were concerned and so i wentthrough a battery of tests and this is where

i learned about the learning disabilities,but there were also things that came out of it where i realized what my strengths were,and significant strengths. and so what it basically was was that my,again, i was in 7th grade, my math was at, like, a 4th grader’s level, my spellingwas at a 2nd grader’s level. i think it still is, frankly. thank goodness for spell check. amen. yes, for sure. and then, of course, you know, some challengeswith time and understanding spatial things

as well. but what came out of the test was that i amactually in the top 1% of the world for common sense. it’s called something a little bit fancier,but that’s basically what it is. and then we also learned that as i grew olderand things became more about the big picture rather than the little details, that my mindwould work very well with that. so the therapists were always kind of consolingmy parents and being like just to hang in with her, by the time she’s an adult thisis all gonna be ok. it’s, like, she’s not gonna have to beputting together, i don’t know, like grammatical

structures and identifying the prepositionsand identifying, you know, what the adverbs that would be very hard for me still, butshe can write a story. you know, she can tell a story. like, this is… like, don’t worry aboutall of that. and, again, spell check. so, anyway, what worked out for me with thistop 1% of having common sense, my best friend at the time, who is still one of my closestfriends, this incredible woman named alice levitt, and she is a genius. she’s like an off the charts genius, truly.

and she… i basically did everything that she did. so, like, whatever she was interested in,i was interested in. and i admired her so much and i admired herintellect and her wit and her very weird interests in cinema, and… like, she got me into therocky horror picture show. i just would really do anything that she woulddo. and she found this summer camp at vassar,which was summer institute for the gifted where you could take college level courses. and she was really at that stage in 7th grade.

and because she was going i was like, “iwant to go,” and my parents just kept saying, “are you sure you want to go to school inthe summer at a college?” like, they were really worried. and i was like, “no, no, no, i wanna gowith alice. it’s gonna be so fun.” and so i remember looking at the applicationbecause they were kinda like, “if you wanna do this you need to do this by yourself, becauseyou probably won’t want to do this and you’ll probably wise up and quit before you actuallyapply.” and so i was sort of left on my own to figureout how to apply and i remember looking at

the application and it actually said… itasked for transcripts, it asked for all of this, but it said that if you are in the top1 percentile in any area in a standardized test that’s been acknowledged by the school,you will gain admittance. you’ll get to go in. and i busted out those scores from all mytests for learning disabilities and i was like, “top 1%! common sense!” and i got in and i ended up going severalyears and it was wonderful. and i actually did start to piece togetherthat having common sense is sort of maybe

the most important thing to have in life. and so i just kept kind of after going toa, you know, a summer program for the gifted, it suddenly i was like, “oh, i’m one ofthose gifted challenged people. that’s what i am.” and it just… i reconceptualized kind of everything andi started to believe in myself again. because when i went to school i wasn’t thekid who was in special ed, i was the kid who was amongst these really impressive peerswho were all taking college courses in their free time.

and you probably felt inadequate. well, i thought that i would feel inadequate. well, not even. no, i think i was a little deluded. i think i… i think i felt inadequate at school. yes, definitely i felt inadequate at school,but when i saw that i could get admitted from that one thing i was like, “i belong there.” and my…

i just, i started feeling really confident. and in 9th grade i was put in an english asa second language class as my english class. and i don’t speak a second language. and then by senior year i won the englishaward in my high school. and so it was… there was definitely… therewas definitely a kind of a significant journey that happened in a very short period of timeduring my youth. well, it goes to show the power of recognizinga strength. yes. something that you can do even if there areother areas that there are challenges, and

that’s why i was really interested to hearyou tell that story because i think so many of us can be in an environment where perhapswe’re not good at everything and we can start to have that self talk that we’redeficient, we’re not good enough, we don’t belong, and yet all it takes is that one discoveryof something you are good at. and i’ll say, with common sense, it’sreally funny. my mom, who loves the show. and, mom, i love you, she’s always like,“i wanna…” a, she always wants to see more funnies. she wants to see me dancing more.

but she’s like, “you know? everything you say is really common sense,marie.” and i’m like, “yeah. you’re kinda right. it is.” so i do think it’s good. now, let’s fast forward a little bit. tell me about the trip that you took whenyou were 16 with your grandma and the very important lesson she taught you playing thenickel slots.

yes, yes, yes. so my grandparents, they grew up in oklahomaduring the great depression. and my grandfather’s family, they were farmersand my grandmother, her father was the town butcher. and his name was butch, and that was his givenname. amazing. so that was his destiny. but… so they grew up in an environment wherethey really learned about the importance of frugality and the importance of hard workand perseverance and that definitely impacted

them significantly. and so as… just in their life overall theywere just these very midwestern, zen, honorable individuals. and i admired both of them so much and mygrandfather is still with us and i still admire him and look up to him. and i would… any opportunity that i couldget to spend time with them was something that i would just jump at. so my grandmother and i in particular, wewere very, very, very close. and when i was 16 years old, it’s the agethat you have to be in order to legally walk

the floors in vegas. you can’t gamble yet, but you can actuallybe there. and my grandmother was so excited becauseshe just loved vegas. she would… her cap would be 20 dollars,so she would not spend more than 20 dollars there during the entire trip. and she would use it all just in the nickelslots. so she would just, yeah, she would just geta big cup of nickels and she would play with it. and i think it sort of symbolized, i thinkthe whole notion of gambling overall, symbolized

sort of the industry that they had been inbecause they were actors and… and it’s just a really kind of crazy, unwieldy, uncertainindustry. and so basically what happened was i wentwith them and my grandmother was playing the slot machine and she was losing and yet shewas still playing. and she just out of nowhere… i think she had the hunch that i wanted tobe an actor. and she said to me, “do you know how manyauditions the average working actor needs to go on typically before booking a job?” and this is the average for people who arepaying their sag dues.

so they’re making their living as actors. and i guessed one in 10. and she said to me, “no, it’s 64. one in 64 auditions.” and it was just this clarifying moment forme to have an understanding of what the odds statistically were. it didn’t… i feel like in creative businesses there’sso much romance, it’s like this person did this one thing and then they skyrocketed tojust never ending success.

or, you know, it’s they did it within ayear, they did it within 3 months. these unicorn stories. yes, unicorn stories. and knowing the statistics is so grounding. and so when i later when i started auditioning,and incidentally my grandmother had retired from acting during the child-rearing yearswith my dad and my uncle and as the grandkids were being born she actually went back intoacting in her sixties. love that. i know.

and she… this is how determined she was. she actually, she was counting the numberof auditions she was going on and she got up to 100 without booking a job and then she’slike, “ok, i’m gonna start the count over at one and then we’ll see if i make it to64.” and then by 64 she did actually book a job,and then she had this tremendous hot streak for the last 10 years of her life. so when i started auditioning after kind of,you know, having an understanding of these odds and being very inspired by her stick-to-itness,i just started counting. so one audition, 2 auditions.

and i promised myself i wasn’t gonna getupset if i didn’t book something before 64 auditions because that would be deludedthinking because the reality is is that’s the average. and that’s the average for a working actor. for a working actor, a successful actor. and you were just starting out. yes, and i actually said to myself also iwas like, you know, i think i’ll do the same as my grandma. i’ll get up to a hundred and then startover again.

and then, you know, if i go 200 auditionswithout anything, i might… i might look around for some feedback andsee what i could maybe do differently. and it was i believe the 48th audition forme was… i got that job. and my agent then, who is still my agent today,so we’ve worked together for 16 years, she later asked me, because it was way over ayear. and she said, “how did you not quit?” she was like, “i don’t want to offendyou with this question,” but she said, “i was really getting worried and most actorsquit long before you did.”

and i told her that story with my grandmother. and she went, “whoa, yeah. that’s true. i wish more artists knew that. i wish more creative people understood thatbecause then they wouldn’t be so hard on themselves.” and when you’re hard on yourself, unreasonablyso, you just are gonna… things are gonna start kind of falling apart. just something in your heart just… it canfeel so sinking if you feel like you’re

the only one who’s being rejected this much. you know, when you first told me that storyi actually passed it along to my stepson who’s, you know, 22 and getting out there and goingon auditions and doing all of it. and i just love that so much and i think it’sso applicable across many creative industries. people will often say, you know, “marie,you know, how long did it take when you were starting marietv?” i’m like, well, first of all, i was doingemail broadcasts, like, way back in, like, the year 2000 and marietv has only been around,you know, for a couple years. but for the first couple it was like therewasn’t that many… and there’s still

not that many views, but it’s just… ittakes time and it takes consistency. but when you’re creating something fromnothing, it does have to be about the work. which, you know, let’s shift over to somethingi was going to ask you later but we can go here now. the power of day jobs. one of the questions we get so often is folkscan feel like they’re giving up on their dreams or their creative aspirations or theirkind of stature as an artist if they have a day job. and i just think it’s completely the opposite,so i was curious to hear your point of view.

totally the opposite. i mean, it’s… again, from my grandparents,i mean, they were really inspiring to me and they always supplemented their income andthey didn’t own a credit card until they were 50. and it was… i always saw examples of folks who were artistsand fulfilled artists and enthusiastic artists who were making their living predominantlydoing other work, you know. my grandmother was a seamstress, she workedin education. it’s something…

i think it’s something to be proud of whenyou are choosing to keep a job in order to provide for yourself and to provide for yourfamily, and to create a strong financial foundation that you’ll be able to stand on for therest of your life. that is so powerful, strategically so smart,and dignified. and i do, i think there’s this gross misconceptionof, yes, this idea that you were talking about that people feel like they’re giving upon their dreams. yes, or they’re not a real artist or theydon’t… and it’s like no, no. that makes you such a smart artist. and perhaps for some of us there’s a daythat comes perhaps that your art can provide

for you, but none of us ever know what’sgoing to happen. and as you know in your business and i knowin ours and in almost every industry, there are seasons. you know, things go up and down. and i love that, i feel like that messageneeds to get out there. there’s no shame in hard work and dignifiedwork, whatever you need to do to take care of yourself and your family and be able tofund your art as well. yeah, it’s only gonna empower you. you know, financial stability will provideyou the opportunity to be dedicated to your

work. and none of us do art, like, 24 hours a day,7 days a week. like, it’s not… that’s actually, that’sunrealistic. and so there’s also this other notion thatit will take up time or whatever and it’s… it’s just, even if it takes up some of thetime, financial planning is career planning. like, that’s what it is. you’re just committed to creating a basefor yourself so that you can leverage your career. and, i mean, for myself, i worked all throughhigh school because my parents, wonderfully

they took care of college, which is huge. because student loans are… out of control. just awful. but i did need to support my, you know, ineeded to figure out my apartment situation and food and, like, all of that and livingexpenses. and then the moment i left school, you know,like done. and so i knew this, i knew that there wasno trust fund on the horizon or anything and… and so when i was 14 i started working asa waitress.

i had to get a permission slip from my parentsbecause i was underage. and then i worked in a factory as… thatwas an allergy control product center and i was on the assembly line putting swatchesof fabric in these pamphlets. i actually loved that job because i alwaysgot to watch movies and so it was like… totally immersed in these wonderful films. and then all through college i was a nannypart time to the same family, i was… i worked as an assistant teacher at a daycarefor several years in the east village, i was a dog walker, i worked as a dresser for agay cabaret show downtown that my roommate at the time was the stage manager for andso she got me that job.

and i really, i did that all throughout college. they were flexible jobs, i was really lucky. that’s why i wanted to have so many. and i left school with not an enormous financialfoundation, but a substantial amount of kind of emergency savings. basically. and so i decided to keep those jobs. and, i mean, i was acting on broadway and,you know, calling the parents of the kids i was watching and saying, “ok, so,” duringintermission.

“ok, so, yeah. tomorrow i can come at 9:00, that’s great.” and then coordinating with the dog walking,you know, my dog walking clients and all of that. and it’s… and it also, it just… it tookaway so much of the fear and so, so much fear happens around the pressure of supportingyourself. and when you take that out of the equationand… and, again, it’s like difficult for me to say this even because i’m someonewho comes from a certain amount of privilege and it’s…

i’m always kind of hesitant to share thisbecause people are, “oh, you always had a safety net,” and all that kind of stuff. and listen, that is true. i mean, my mom made us believe that therewas no safety net, but god forbid, we had and that’s huge. but that didn’t… that didn’t mean thati wasn’t entirely responsible for taking care of myself. and i’m just… it freed me. it absolutely freed me.

i did all this crazy experimental theater,all this work that folks were like “you might not get hired again from doing that,”and i was sort of… there was a… i felt a lightness. because i was like i’m not going to starvetomorrow. i’m not gonna be homeless next week. because you were working your buns off andyou were doing what you had to do. let’s fast forward because there’s somethingelse that you’ve experienced that countless if not millions of women experience afteryou had your baby, theo. you went through a really difficult time withpostpartum.

and there’s an article on goop that youwrote that i thought was just gorgeous. and what you shared, you said, “postpartumis hard to describe. the way the body and mind and spirit fractureand crumble in the wake of what most believe should be a celebratory time,” and thatpeople often choose silence because it’s so hard to share how we really feel. why was it so important for you to talk aboutthat experience so publicly? well, it’s interesting because i wasn’tprepared to talk about it and… and gwyneth paltrow was just starting goop and we kneweach other through mutual friends and i had been reading everything that she’s beenputting up and i have a lot of respect for

her. and she reached out to me and said… andshe knew that i had gone through postpartum, you know, because we’re in the same group. and… somewhat. it’s weird for me to say that. like, we have, like, we share like… mutual friends. yeah, we have mutual friends. but she had gone through that as well andshe asked if i would share it for, you know,

for goop. and i said, “of course, yes. i will,” and then i kind of sat down tostart writing it and i was like, “oh, this is really intense.” like, at that point i hadn’t been in therapy,i just hadn’t been kind of addressing it because it was just so heartbreaking to me. it was so devastating that the thing thati was looking forward to most in my life ended up being this very complicated, just reallydepressing situation where i loved my child with all of my heart and yet when i was ina room with him i just wanted to disappear.

and it’s a weird… like, that’s sucha weird concept. it’s so strange. and so it was very difficult for me to writeabout it and i’m really, really so glad that i did because it was able… like, iwas able to kind of process some of those feelings and through just various drafts ofit i was like, “oh, yeah. this is what i was feeling. this is what was troubling me.” and it was kind of this… just that processof getting it down led me to insights that helped kind of get me out of it.

it’s so hard because it’s… you can evenequate it to business stuff as well because it’s like you… when you achieve thingsthat you’ve dreamed of your whole life but you’re going through a difficult time oryou’re going through a health crisis or you… or whatever it is that’s kind ofunder… that undermines that experience, it can flatten you. it flattened me for sure. because i was also… i was also a pretty young mom and i had sortof a black and white view of things. and to feel like i was just completely failingat the most important thing that i’d ever

done like 15 minutes after giving birth, becausei felt it immediately. like, instantaneously. it was really… it was very, very difficultto navigate that. and it’s something also that i don’t knowif this is the right thing to say, but it’s like i never fully healed from it and that’salso a thing that is difficult to admit to. i remember one of my dear friends, his wifepassed away very suddenly and she was in her early forties. and when i went to the funeral, he was wearingthe same… they were jewish. and according to the traditions, he was wearingthe same clothes that he was in when she died.

and with his rabbi, they had ripped the clothes. so he was there at the funeral in ripped clothes. and the rabbi explained that the symbolismbehind that is that there are things in life where you get ripped apart and your soul getsripped apart and it cannot come together, but you can mend it. you can see it in a different way, you canmove through that experience with grace. but it’s still going to always be like that. and so that was the hardest part was kindof i was someone who always felt like i could kind of overcome things and move on from themand this is just, i mean, it’s something

that still comes up, just the grief. the grief around it. but that’s… that’s the stuff of life. that’s what happens. it is. it is what happens and that’s why i wasso… i just… i felt such a connection with you. even though i’m not a mom in the traditionalsense, i was so happy and i always get so

happy to hear women tell their stories andtheir most vulnerable stories because it’s so important. and i think in our culture that places suchan emphasis on celebrity and social media and the glossiness of things where things,you know, can just look so perfect. and, you know, we’ll have that with ourshow too. and i’m like, dude, you see me on the street,or like the day you and i had lunch, it’s like we have our hair up in buns, there’sno glam squad, there’s no makeup. and the underbelly of life that i don’tfeel like we get to share about and talk about enough.

so thank you on behalf of millions of women… my goodness, thank you. …for being willing to say that and to shareit. and it’s also, it’s… i fall victim to that too where i’m… i remember, like, i just assumed i was gonnalose all the weight really, really quickly. because i’m like, “i’m young and thisactress did it and that actress did it.” and just feeling so disappointed comparingmyself to folks who seemed to, you know, just breeze through it.

and the reality is is they’re not breezingthrough it. who breezes through that? right. like, it’s like… my best friend actually,today, she just had a child and she’s my goddaughter, and she has so much experiencewith children. she practically, like… she’s the godmotherof my kids, practically could raise them. and she said today she was like it is so traumatizinghaving a child or, you know, whatever that’s a metaphor for. like, having something completely new instantaneouslythat just turns your world upside down.

it feels traumatizing. and so yeah, that is why it is so importantto to just, yeah, to even though it’s really hard to not think that others have it easierand be disappointed that you don’t have it as easy. or that it’s not as smooth. so let’s shift gears a little. let’s talk about b-school. why did you decide to do it? what were you going through at the time?

what led you to b-school? ok, so i… for the last several years, i’vebeen kind of navigating this sort of dual life, which is that i had a 4 year break betweenthe help and jurassic. and i didn’t mean for it to be a 4 yearbreak. i didn’t want for it to be a 4 year break. i had my daughters, i knew i was gonna betaking a break from acting during the pregnancy and for a maternity leave. but i came back from my maternity leave andi’m like, “i’m back,” and it was very challenging to get my foot back in the door.

and so as i was, you know, again, count startingat one with the auditions. as i was going through that process, i gotan opportunity to… i had directed before, but i got an opportunityto direct a film that was just… it was wonderful. and i did it with my writing partner at thetime, who’s my sister’s husband, i set them up. like, so it was a really wonderful experiencethat i wanted to do. and that film ended up getting shortlistedfor an oscar. and so i was like, “oh, i’m a director… i guess.”

and so then i started doing a lot more directingand getting hired as a director for a lot of stuff with new media and branded contentand overseeing campaigns and documentaries and… and it was just this really enrichingtime in my life where, you know, i was lactating and needed to be at home a lot, but i couldalso go for these short stints and immerse myself in these creative ventures that werereally rewarding and financially stabilizing. i, during that 4 year period, i lost my saginsurance because i wasn’t working enough to be insured. and my dga insurance kicked in at just theright time. and so where i… when i got jurassic, whichreally was kind of one of those, like, out

of the blue situations, i was like, “oh,i’m acting again.” and it was shortly after that that i learnedabout b-school and i was just like having all… i didn’t do any social media and i was notreally open about all the directing stuff and i don’t know why. and i was like, “i need to think about myselfas a business.” i’ve been very kind of just instinctualand impulse driven and, you know, very connected to my own interests, but there wasn’t reallya game plan. like, when i’d be asked who’s, you know,what’s the career you aspire to have i would

just be like, “i don’t know. i haven’t thought about that.” and so i realized it was because there weremore layers to my career that were suddenly… and opportunities that were opening up, iwanted to go through some kind of an education process so that i could kind of figure outwhat i was hoping to create and how i could be of service and, you know, what… basicallywhat my strategy was. and at the time i was working with this incrediblewoman named isabel foxenduke and she’s an educator and she’s an intuitive eating coach. and i was going through her program onlineand there was an opportunity… she sent out

a newsletter for b-school at some point andthere was opportunity to have, like, one on one interaction with her with b-school andi was like, “this is what i need.” and so i signed up on the spot and isabeland i started talking. and i had so… i remember what kind of convinced me fullyto do b-school was that her business was so strong. she had this great way of scheduling appointments,her website was so clear, her content that she was putting out was groundbreaking. and it was just… the coaching calls thatshe would do.

like, the way in which her business was runwas impeccable. and so i was like i just… i respect this woman not just for what she’steaching and what she stands for. i respect her because of the way that she’shandling herself, the way that she’s running her business. and so, yes, i got this chance to work withher and then b-school started and then it was like i was hooked. like, it was like the eyes glazed over andi was like, “anything you say.” and it was an extraordinary experience andjust… it’s just everything like kind of

like what your mom said. i mean, it’s just… it’s filled withall this common sense, all this kinda stuff that’s sort of like duh but you’d neverthought of it before. and things would be presented typically inreally confusing ways when you’re trying to get to the source of like, you know, whatyour brand is or what, you know, your business model should be or how to start a small business. and it would always be so confusing and thenjust the way that you laid it out was… was also fun. it was, like, the most perfect blueprint forlaunching a career that is completely unique.

and it was just, yeah, it was incredible andi just got totally obsessed with all your videos and was just sending them to everybody. and it was really invaluable and what cameout of b-school was a process of approaching my business. you know, not a kind of a result that’slike i did this, this, this, and this, although things have definitely improved in my lifesince i went through b-school significantly, but it’s also… it’s like, yeah, it’sa process as opportunities come up, as, you know, i have instincts for directions to movein that is… that really gives you the tools you need to create what you’re here to do,essentially.

so thank you for that. thank you. it was the best. and i love also that you can have ongoingmembership, so i always… i log in all the time. i’m like, “what’s happening this week?” and it’s always… it’s just always…it’s the thing that i start my day going like, “of course,” and it just shiftseverything for me. well, i love that and i love that becausewe just have such a diverse community of members.

you know, there are people that have jewelrybusinesses, woodworking businesses, artists of every kind, people that are doing accounting,and it’s just… it’s a really… it’s a lovely thing and we’re so honored to haveyou in b-school. so thanks for sharing about that. and it’s great too because i always feellike i wanna go back to school but realistically with 2 kids and a dual working household andkind of the nature of my work where, you know, tomorrow i might be called to go to, you know,i don’t know, some random place 10 thousand miles away. it’s… it was incredible because i wasable to…

i actually did the majority of b-school whilei was working in new zealand. and it’s… yeah, i’m just so thankfulfor it because sometimes in these, you know, these institutions of formal education it’sreally it’s like you need to pause your life in order to do it and that, like, b-schoolis the perfect complement to one’s day to day life. you know, one’s busy life, one’s lifethat… where they have a lot of commitments. and so that was… yeah. that was huge. love that you’re a b-school alum.

so one thing that you’ve said that we alllove on the team is, “my feeling with movies or any kind of entertainment is that the goalis to be unignorable.” which is wonderful because it can bring alot of attention, but, of course, that can also bring a lot of judgment, a lot of criticism,a lot of harsh stuff. what would you say to folks, because so manyof our people in our audience, they want to create things. what do you have to share about making greatwork and taking that big risk? well, i actually, i learned that from thisextraordinary stage director, a man named ruben polento.

and he has a theatre company called theatreme too and i met him when i was at nyu and did a lot of very avant-garde naked theatreshows with him. and then i was a member of his company afterwards. and he would always say that. he would always say that the goal of an artistis to be unignorable. like, the worst thing that could happen isnot bad reviews or a show closing. the worst thing that could happen is thatpeople in the audience are talking about what they’re going to have for dinner and thenthe show happens and then it ends and then they turn to each other and they say, “youknow?

where i really wanna go to dinner…” i mean, that is the worst thing that couldhappen because it’s basically it’s… yeah. then you’ve been ignored. your work has been ignored and you’re basically… there’s indifference. there’s indifference, which is the worst. which is the worst. and so he would always say that.

he would always say just focus on doing workthat is unignorable. and i used that as, just that mantra, to guideme through all of my early decisions in my and i would get offered projects that i wouldactually think to myself, “this is pretty ignorable. like, this doesn’t need to happen even.” and if people are watching it they might evensay like, “those two hours, i don’t know if i got my money’s worth.” and so i did a lot of things that were kinda…kinda risky and yet i knew that they were projects that could not be ignored.

i mean, the thing that comes to mind is mysecond film, which is this movie called manderlay that lars von trier, a danish filmmaker, wroteand directed. and it was really controversial, unbelievablycontroversial, and weird and kinda like what am i watching here? but i knew it was something that was unignorableand i was really proud of that. and… yes, reviews… all the time reviewscome out and basically when i’m reading reviews, which i don’t actually do thatmuch not because i’m like, “i just can’t read reviews,” it’s just i’m sort oflike, well, they’re doing their job, i did my job.

exactly. if there’s some great feedback or something,i definitely want to read that. you know, great not being like, you know,great, but like… constructive criticism. that’s useful. absolutely. then wonderful. but i don’t really… i don’t know.

i don’t put too much stock. it’s sort of none of my business a littlebit. and… but, like, again, earlier in my careeri remember when there would be a terrible review or whatever, i would say, “well,at least they’re passionate about this. at least they have a point of view.” because you could feel that. like, the reviews that are bad are usuallyangry. the reviews that are bad because somethingis, like, ignorable are just sad. it’s just… it’s kinda sad.

and so… so yes. that has been… that’s sort of my litmustest for most things in my life, to do work that is unignorable. i love it. rather than successful. it’s good. before we wrap up and find out what we cansee you in next, the one last thing that we adore about you is your self effacing senseof humor, because we have that about ourselves i think recently, right, you posted something.

what is it? celebrity…? oh, yes. celebs like me. said you were, like, an 85% match that youlook like yourself. and it was like a 3am situation where i wasjust online… trolling around. subjecting myself to click bait. and i found this and i was…

i’m not actually that technically savvyon the computer, like downloading things and uploading things. and i’m always just like, “ugh!” i actually blame it on my learning disabilitieswith my husband. he’s like, “why won’t you just learnto turn on the television? you don’t know how to turn on the television.” and i’m just like, “i just… i have a processing deficiency, babe.” another way that that can be an advantage.

but i… yeah, so i was like online and igot so… i so badly wanted to see who i looked likethat i did really complicated things to upload my image. i was very proud of myself and then, yeah,i was 85% and it was basically split between christina hendricks, jessica chastain, andswoosie kurtz. and swoosie kurtz is one of my favorite characteractresses and so i was like this is awesome. that’s funny. this is so cool. and i love how you and jessica have had somuch fun from people mistaking you for one

another. i mean, listen, this is also… this has beenkind of a routine of ours for over a decade. because we met each other for the first timeon the help, but before that she was going to school… we went to school at the sametime. she was at julliard, i was at nyu, and constantlypeople would say to me, “oh, i just… i just saw this awesome chick in this showat juilliard and, like, you’re her doppelganger.” or i’d walk into a restaurant and then someonewould yell out, “jess!” and i would, like… at a certain point i got used to it. i was like, “oh, they’re talking aboutthis woman who, you know, who i look like.”

and she… when we met on the help the firstthing we did was we were like, “hi, nice to meet you. let’s find a mirror.” because apparently the same thing had happenedto her. she’s like, “my whole… my whole adulthoodhas just been like, ‘you look like this girl named bryce.’” and so that had been an ongoing joke for avery long time. and we looked in the mirror and we both havecleft chins, we have the same shaped eyes, and similar mouths, and similar noses, andobviously our skin tone stuff is a certain

way. and hilariously, her birth name, her birthlast name, is howard. no way. i know! that’s amazing. and i was like if my parents hadn’t beentogether since they were 16, i would be questioning a lot right now. but we have… yeah, it’s both… it’sreally… it’s fun but it’s also really useful as well because i get a lot of scriptssent to me that jessica has passed on and

i’m just like, “yes. give it to me. you need a jessica chastain type. like, i’ve been accused of that.” and that, i think… i think being, you know, we all want to beunique. we all want to kind of have this, like, singularvoice of course. but the truth is is that being similar tosomeone else is actually a really helpful thing because especially if that other personis more well known it can help when you’re

talking about your business, you’re talkingabout your work. you can contextualize things, you can say,“it’s a little bit like this. it’s a little bit like that.” and my grandfather one day went in for anaudition for a character that was described as a rance howard type. my grandfather’s name is rance howard. and so he walked in and he’s like, “igot a rance howard type right here.” he didn’t actually get the job. but it’s once, yeah, once you, i don’tknow, just… yeah.

it’s a good thing. i think it’s a good… it’s a very, verygood thing, especially her. to be… and, of course, she’s amazing,you’re amazing, but to be able to be playful with it, i think, is just, it’s awesome. it’s the only way to be. so where can we catch you? what are some projects that are coming up? well, i did a movie in new zealand when iwas starting b-school called pete’s dragon and that just came out.

and i am so, so, so proud of it. it’s a disney film and it’s innocent andit reminds me of the movies that i loved when i was a child. and it’s something i’m just i’m reallyproud to share with my own children. and so yes, so that is out. and then pretty soon a film called gold isgonna come out opposite matthew mcconaughey, and i loved doing that movie. that movie was a last minute thing, actually. i think i got hired, like, 2 days before shootingstarted.

so, yeah, i can be… things can just happenlike that. and then another project that’s going tobe coming out soon is there’s this show black mirror. one of my favorites. yes, so good. i love black mirror. so good. so… so i did an episode that i was in, itwas shot in south africa, and with one of my favorite filmmakers, this wonderful mannamed joe wright who did pride and prejudice

and atonement and he’s just marvelous. and so yeah, that should be coming out soonas well. yay! well, thank you so… thank you for beingsuch a devoted fan. oh my gosh, always. trust me, i’ll always be there. and just for the beautiful work that you’redoing in the world and the way that you share yourself. thank you, thank you, thank you.

thank you, marie. thank you so much. this is just awesome being here and it’svery meaningful, so thank you. now bryce and i would love to hear from you. from all of the juicy stuff that we talkedabout, what’s the single biggest insight that you’re taking away from today’s conversation? leave a comment below and let us know. now, of course, the best things happen overat marieforleo.com, so head on over there and leave a comment now.

and when you’re at marieforleo.com, makesure you sign up for our insider’s list. you’ll be an mf insider. instantly, you’ll get a download that icreated called how to get anything you want. it’s really good. plus i’ll send you some exclusive contentand some special giveaways and insider updates that i don’t share anywhere else. stay on your game and keep going for yourdreams because the world needs that special gift that only you have. thank you so much for watching and we’llcatch you next time on marietv.

ready to find your voice and sell with heart? we’ll show you how. get started now with our free writing classat thecopycure.com. side effects include enlarge profits. sha-ma-lon. m. night shyamalan.

perhiasan dan logam mulia

why should jewelry not be worn in the lab

warning: this video deals with corrosive and volatile acids. toxic gases and toxic chemicals. wear gloves when handling them and work outside or in a fume hood. greetings fellow nerds. in a previous video we processed liters of laboratory chemical waste from an organometallic research lab to produce a couple grams of platinum concentrate powder. in this video we're going to try and extract that platinum. first, i need to crush your expectations: the quantities of platinum recovered in this video are not economical to recover at this scale.

if you want platinum, it's cheaper to buy it. this is only economical when working with hundreds of grams of platinum and kilograms of platinum concentrate powder. our objective in this video is to explore the science. i can't believe i still need to keep saying that after all these years. anyway, let's get started. first we get 50ml of concentrated hydrochloric acid. i'm using a 31% solution but the exact concentration is not critical. being plus or minus 10% is fine. now we get our 2.4g of platinum concentrate powder that we collected in a previous video.

if you haven't seen it, click here or in the video description. now dump that right in. for quantitative transfer wash out any dust with water. okay now gently boil and stir the mixture for half an hour or so. what we're doing is dissolving any base metals or base metal oxides in the concentrate. now this step is entirely optional since we're going to go through another base metal remove step later on. in fact for such a small quantity of material this isn't worth it but i'm showing you for those cases where you have large quantities of material. if you have kilograms of platinum concentrate powder then shaving off a few tens of percent can greatly save on expensive nitric acid later on.

okay once it's boiled filter it off. the base metal chlorides like zinc, iron and so on will filter out leaving behind the more noble metals like platinum and copper. now we actually dissolve the platinum metal using aqua regia. first, wash the residue into a beaker using concentrated hydrochloric acid. top up the hydrochloric acid to at least 4ml per gram of residue. i actually have a huge excess since i used a lot more hydrochloric acid just washing out the filter. now add in about 1 ml of nitric acid for every 3 ml of hydrochloric acid you have. now gently heat the mixture to about 95 celsius with stirring.

what's happening is the nitric acid and the hydrochloric acid react with platinum to produce hexachloroplatinic acid. the mixture of nitric and hydrochloric acid is well known for being able to dissolve many precious metals and is even famous enough to have it's own name, aqua regia. anyway, the reaction also produces various nitrogen oxides and nitrosyl chloride gases so this must be performed outside or in a fume hood. you can see it here as that orange brown haze above the reaction mixture. keep heating and stirring until the orange disappears indicating we've depleted the nitric acid. now turn off the stirring and let it cool. now we filter off the mixture.

the filtrate should contain our platinum as well as any other metals that got dissolved and the residue should contain carbon and any unreacted platinum. platinum is quite resistant to aqua regia as i showed in my previous video on dissolving a platinum bar. so to ensure we go complete dissolution, we're going to leach it out a few more times. wash the residue back into the beaker and again run another treatment of 4ml of hydrochloric acid per gram of platinum and 1ml of nitric acid per gram of platinum. once again boil, wait until no more orange gases are produced and then cool and filter. keep repeating this process until the filtrate color is a constant shade of yellow or the stannous chloride test shows no more metals dissolving.

filter everything and wash down the residue, let it dry on the filter under the air stream. now i preweighed this filter so we could compare it to the weight of the loaded filter later. here it is dried. looks like the difference is 1.8g. but the amount of starting platinum concentrate powder was 2.4g. we only dissolved a total 0.6g and we're not even sure if that was all platinum. i was hoping for more of the powder to dissolve but it's clear there is a lot leftover. this powder is mostly carbon. it didn't burn very fast in the crucible because it was it encased in salt and metal oxides.

i didn't give it enough time to eventually burn away. now to get more yield we should put this back into the crucible and since we've leached out all the salts and most of the metals this chemically cleaned carbon should burn quite easily. unfortunately i don't have enough time to again go through the subsequent boiling and leaching steps so i'll set this aside and add it to my future platinum recovery runs. additionally, we did already leach out most of the metals so what platinum remains inside this carbon is probably minimal. for now i'll go ahead with our existing 0.6g of material even though at this point our interest is purely academic. and here is our filtrate from all those aqua regia treatments. yeah i kinda went overboard.

you should not have this much from your runs. first we need to destroy all the leftover nitric acid. so we set up a distillation apparatus with our filtrate in the boiling flask. yeah i learned my lesson from last time and this distillation apparatus should let us boil the filtrate without polluting the atmosphere. just turn it on and start boiling. what we're doing is decomposing any nitric acid still remaining in the filtrate. these will interfere with our separation and recovery of the platinum later so we need to get them out. as the hydrochloric acid in the filtrate distills, it will attain a yellow color as the nitrogen oxides gases and nitrosyl chloride compounds dissolve in it.

keep boiling until we have just 50ml or less of liquid. we should actually be going down to 10ml but that's hard to tell in this large flask. turn off the heating and let it cool. then add an equal volume of hydrochloric acid and start boiling again to below 50ml for another round. if the nitric acid is fully destroyed then the distillate should be clear. since mine is still yellow in this round i'll have to add more acid and boil again. here we are after a third round of boiling and hydrochloric acid addition. finally the distillate is clear indicating we're not generating any new nitrogen oxides. we now boil down to about 10ml.

and here is our solution of very impure hexachloroplatinic acid. now to remove the base metals by alkaline precipitation. transfer the solution to a beaker. mine is a lot more than 10ml now since i washed out the flask with water. nonetheless we can still proceed forward. for every gram of material that was originally dissolved add in an equal amount of sodium chloride salt. since we dissolved 0.6g of metal we add in 0.6 g of sodium chloride. now gently boil down until dry. don't use too high a heat or you'll decompose the platinum salts.

i set my hot plate to a temperature of one hundred twenty celsius. we're basically driving off the last of the hydrochloric acid. we added sodium chloride so that we formed sodium hexachloroplatinate. this stabilizes the platinum as hexachloroplatinic acid decomposes into platinum chloride at high temperature. platinum chloride is difficult to dissolve again, especially in alkaline solutions, now once it's all dry add in 10ml of water for every half gram of material dissolved. then add in 1g of sodium bicarbonate for every half gram of material dissolved. now gently stir and raise the temperature until it just starts to bubble. sodium bicarbonate is alkaline and reacts with the base metals to form insoluble metal carbonates, oxides and hydroxides.

sodium hexachloroplatinate however is still soluble. now these steps are optional if you're refining platinum that you know doesn't have such metals like jewellery or platinum scrap. since i don't know what sort of other metals are present in this platinum, i'm taking the time to do this step to try and remove most of them. okay after the solution is boiling for a few minutes turn off the heating and let it cool. now filter the mixture. if you have a lot of material it might be more prudent to use a buchner funnel with filter paper rather than a glass frit as glass frits tend to clog easily with particles this fine. anyway, after all the material has gone through, you can wash the precipitate with some water.

just for your knowledge, i took the residue on the filter and dissolved it in hydrochloric acid. this material was what didn't go through. as you can see we had quite a bit of base metals that we successfully separated. anyway here is our filtrate, a solution of sodium hexachloroplatinate with sodium chloride but with most of the other metals removed. now if you're certain you don't have other noble metals like gold, or palladium then you can add a reducing agent right here like hydrazine or sodium metabisulfite to reduce the platinum into metal. i can't do that though because i was told by the lab this platinum contains a few percent of palladium. so i have to separate that first. to separate out the platinum from the palladium

we add in a saturated solution of ammonium chloride, about 2-3ml. now if you have larger quantities and need more precision, you add 0.6g of ammonium chloride for every 1g of platinum you expect to recover. give it a thorough shake and let it settle. the bubbling is from carbon dioxide that forms from the ammonium chloride reacting with the leftover sodium carbonate and bicarbonate dissolved in solution. in our intended reaction, ammonium chlorides reacts with sodium hexachloroplatinate to produce insoluble ammonium hexachloroplatinate. we didn't form ammonium hexachloropalladate because hexachloropalladate is unstable at boiling temperatures and would have been reduced to tetrachloropalladate during our many repeated boilings earlier. we can thus separate the two metals now by filtration. wash the ammonium hexachloroplatinate with a 1% solution of ammonium chloride.

let it dry on the filter under an air stream. you can also wash it with ethanol and diethyl ether to achieve greater purity if desired. now this filtrate has some palladium and tiny amounts of leftover platinum. to improve platinum recovery, add in some ammonium chloride solution and look for precipitation. if there is a lot precipitation then you can filter it again and get better recovery. if there is very little, then it's not worth recovering. you can make your own judgement call as to when to stop. to get a perspective of just how little platinum this actually is let me show you this flask which looks like it has a lot of yellow ammonium hexachloroplatinate coating on the inside.

i'm going to reduce it back to platinum metal with some sodium metabisulfite solution. i'm boiling it a bit to speed up conversion, and now i'm adding some hydrochloric acid to dissolve the precipitated sodium sulfite. wait a minute, where's the platinum? all that yellow ammonium hexachloroplatinate amounted to no visible platinum. let me put it on the white hotplate to show you. ammonium hexachloroplatinate has an intense yellow color that can be misleading as to how much platinum you actually have. so while my filtrate looks like a lot, it's actually practically nothing. nonetheless there is some palladium in here, so i'll add this to my stock of precious metals waste for future recovery. to reduce the volume of material i need to store. i'm going to add some zinc metal and cement out all the remaining metals in solution.

i can then filter the residue and store the metals without the salts currently in solution. i'll show you how to recover palladium once i have enough. so here is our dried ammonium hexachloroplatinate and i've transfered to this vial. this can easily be converted back to platinum by simply heating it above 400 celsius. for small quantities its a good idea to dry the material first on the hotplate by heating it up to 200 celsius and boiling the water off. if you heat it to full temperature too fast the sudden boiling of the water can blow apart the ammonium hexachloroplatinate making you lose it. for large quantities in large containers this is less of problem. anyway, what's happening is the ammonium hexachloroplatinate is decomposing into platinum metal, nitrogen gas, hydrogen chloride and ammonium chloride.

now platinum melts at 1768 celsius so at these temperatures we're not going to make a solid piece of platinum. instead we're producing extremely fine platinum particles commonly called platinum sponge. now i'm doing this in a vial to show you the process. most metal refiners put the ammonium hexachloroplatinate in a melting crucible and use a torch or an induction furnace to apply heat. and there we go, purified platinum from laboratory chemical waste. you can see the porous sponge of platinum. i preweighed this vial and so we see we've only produced 337 mg of platinum metal. at current platinum prices that's about $10. now i know a lot of your are going to complain that this refining process was a waste of money

but the point was to explore the science. all these reactions could easily be scaled up to economical levels with enough platinum waste. i think there is more metal in the leached residue that could be accessed by further incineration, but i didn't have time to recover it. now i wouldn't even need a second incineration if i had performed the first one longer. i stopped early because i saw the nickel crucible oxidizing and i didn't want to contaminate my platinum with too much nickel. once i get a proper porcelain crucible this shouldn't be a problem. although i won't be posting videos on that. nonetheless, for a chemist, this is a useful quantity of platinum. so that's how you recover platinum from laboratory chemical waste and separate out the other base metals and organic residues.

this process assumes you have lots of impurities and don't know what they are. successively removing impurities with each step until we get to platinum. you can skip certain steps and save time and money if for example you're certain you don't have base metals or if you don't have any other precious metals. i hope this video was helpful for you. special thanks to my patrons on patreon for supporting me and making expensive science videos like this possible. now if you would like to join them you can find my patreon page in the video description. i really appreciate any and all support.

perhiasan dan logam mulia

why jewelry turns skin green

what is up guys it is lew here, back with another video and i'm very excited. yah! woo! because it is a fresh episode of does it suck one of my favorite things to do here on unbox therapy i look at an unusual product, generally an inexpensive

product, that proclaims to do something and may or may not do that thing this my friends is a $15 smartwatch 15 not 50, 15 i'm having a feeling this is gonna be a fun one

its got bluetooth built in kind of important for a smart watch

perhiasan dan logam mulia

why jewelry turns skin black

welcome back to another very exciting tutorialhere at the photoshoptrainingchannel.com. my name is jesus ramirez and you can findme on twitter @jrfromptc. in this tutorial, i'm going to show you howto change hair color in photoshop. we're going to be working with this stock photo, and i'mgoing to show you how to change this woman's hair color to black, red, blonde, and green.keep in mind that when doing hair color changes, it's a lot easier to go from light hair colorsto dark. one of the reasons is that lighter hair tends to have more detail, and therefore,you can make more adjustments. going from dark hair to light hair is much more difficult.for example, turning black hair into blonde hair is nearly impossible in a lot of cases.that's because the detail is lost in the shadows

and darkness of the hair, and the color changesoften don't look realistic. but in this tutorial, i will show you what i would do in that situation.it won't be 100% realistic, but, depending on your photo and your goals, this might begood enough. another thing that i want you to keep in mindis that everyone's hair is different. the numerical values for opacity or other adjustmentsthat i use on this photo may not work on your photo. so you will have to experiment andsee what works for you. so pay more attention to the principles and the techniques, anddon't worry too much about the numerical values that i use. also, for some color changes,there might be more than one way to get the same result, which is why in this tutorial,i'll cover three ways of changing hair color—all

non-destructively, of course. so let's getstarted with the tutorial. so the first thing i'm going to do is to clickon the quick selection tool, that way we can make a selection out of her hair, and we canapply the adjustments only to the hair, and nothing else. so let me create the selection.i'm going to click on the layer. i'm simply going to click and drag to select the hair.currently, my selection tool is a little small, so i'm going to increase the size by hittingthe right bracket key on the keyboard, and i'm going to continue selecting the rest ofthe hair, and you don't have to be very precise here. we're going to use the refine edge toadjust the selection and we're, also, going to paint on the selection later on.

so, you don't have to be too exact, but tryto get the larger areas of the hair, and if you make a mistake here, you can hold alt,option on the mac, and, in a way, the selection on her hand, and this looks like a prettygood selection, so i'm just going to work with this. now that i have the selection,i'm going to click on the refine edge button in the options panel. i'm, also, going toclick on smart radius, and i'm going to increase the size just a little bit. also, with therefine edge tool selected, i'm just going to paint these areas here to refine that edge,and any area where there's stray hair sticking out, that way we have a nicer selection. andwhen you're done, you can press ok. now, instead of applying the selection onto this layer, what i'm going to do is create

a new group, then i'm going to apply the layermask to that group. the reason i'm doing this is so that i can stack multiple adjustmentlayers inside of that group, and it will only affect the hair. if i want to make any changesto the mask, i only have to do it on the group and not on each individual adjustment layer.and you're going to see what i mean in a moment. i'm going to create a hue and saturation adjustmentlayer, and i'm just going to make sure that that's in the group, so click and drag onit and drop it in the folder, and you'll know that it's in the group because there's anindentation here to the left of the icon. if they were outside the group, you wouldsee that the icon is closer to the edge. so, click and drag it, put it in the folder andyou'll see that indentation there.

so now with the hue and saturation slider,i can make any adjustment that i want. for example, i can desaturate the image, and myadjustment only take effect in the hair, because it's inside of this group, and this layermask is controlling the hair. now, if we wanted to turn her hair black, we would desaturatethe image, using hue and saturation, but the contrast is not good. we want to make thatdarker, so what i'm going to do is click on the new adjustment layer icon and select curves,just create a curves layer and darken that up. we can drag that down, like so. now, atthis point, you can actually click on the mask, and you can come and make adjustments,paint with black, for example, to hide some of those effects. so, i'm going to click onthe brush tool, and increase the size by clicking

the right bracket key in the keyboard, andjust paint that in. make sure that you have a soft brush, so i don't have a soft brushat the moment; i'm going to click on the soft brush. make sure that hardness is at 0%, andi can continue painting in areas that i need to. now, if i go over to the line, that's okay,i can paint with white, and bring back those adjustments in that area. so that's what youwould do at this point. you would go around and see what areas you need to adjust in orderto better improve the mask. so, as you can see, you can paint with black and white onthe layer mask in the group. and, by the way, when i paint a layer mask, i usually havemy hand on the x key on the keyboard. notice

the colors here. every time i press x, theyflip, so black hides. so i can hide the effect here, press x again, it flips it to white,and white reveals, so i can paint with white to reveal that effect. so that's a littletip there for you when you're painting on layer masks. i know that i can come in and further refinethat layer mask, but this is going to be good for this tutorial, so i'll leave it there.now the hair looks pretty good, but it's a little bit unrealistic in some areas. if idisable this group, you'll see that the hair is not just one solid color, there are differentcolors and tones in different areas of the hair, so i'm going to try and bring that inon to my black hair, to sort of take it one

step further and make it just a little bitmore realistic. so what i'm going to do is i'm just going to disable this group thatwe're working on, have the original layer active, then click in the channels panel,and hold ctrl, that's command on the mac, and click on the rgb thumbnail here, and that'sgoing to create a selection of all the bright pixels in the image, then i can come backinto the layers panel, click on the original layer, and duplicate it by pressing ctrl j,command j on the mac, and, now, we have a layer that only contains the bright pixels. i'm going to enable the group that we areworking on, enable the original layer, i'm going to open this up, click and drag thatlayer on the very top. notice what happened.

we just gave that black hair some extra colorin there, and even though it's a little more realistic, this effect is a little too strong,so i'm going to bring down the opacity, maybe to about 20 or 30%. i'll leave it at 31, ithink that's good, so that's before, and that's after. it's very subtle, but it makes thehair a little more realistic, because you'll start adding just a little bit of color. andi'm going to zoom in just so you could see. that's without color, and that's with color.and, of course, you can adjust the opacity accordingly until you get something that you'rehappy with. i just like adding a little bit of color so that the hair is not completelydesaturated. at this point, you can start making other adjustments, for example, youcan even create another curves adjustment

layer, and simply start working with the highlightsfor example. if you want to bring up these highlights here higher, you can. just bringthis down, and, of course, you can work with the opacity and adjust it accordingly. and, obviously, since we're working with onlyone layer mask, you can come in and hide the effect anywhere you want to, and you'll onlyhave to worry about that one layer mask. i'm going to go ahead and undo that. so, i'm goingto collapse this folder and i'm going to rename it, and i'm going to call this "black hair."now i'm going to create a new group. i'm going to hold alt, option on the mac, click anddrag that layer mask, and duplicate it. so, now, we have the same layer mask in this group,and we can start creating new effects. so

this is how to create black hair. but if youwant to create red hair, well, you can use the hue and saturation, just like we did before,but i want to show you how to do it with the selective color adjustment layer, and i'mgoing to show you several different ways in which you can change the color of the hair,because everybody's hair is different, depending on how you took the photo, the lighting, thetexture. there are so many different variables that,sometimes, hue and saturation might not be enough. sometimes you might want to use selectivecolor, so i'm just giving you different options, so in your image, you can try them all outand see which one works best for you. so, in this case, i'm going to click on this dropdown menu—the colors drop down menu, choose

neutrals, and i can subtract cyan, and that'sgoing to make the hair red. and i can add just a little bit of magenta, and a littlebit of yellow, and we have red hair. so that's before, and that's after. you can, also, comein here and add a curves adjustment layer, and start playing around with the contrast;maybe you want to change the blend mode to luminosity, so that you don't change the color,you just change the luminance values. that's before, and that's after. and, of course,you have the opacity slider to lessen the effect a little bit. so i'm going to collapse this and i'm goingto call this "red hair." and i'm going to do what i did before. i'm going to createanother group. hold alt, option on the mac,

click and drag the layer mask on to the newgroup, and this time we're going to change her hair color to blonde. again, we couldhave used hue and saturation, select the color, but now i'm going to show you a differenttrick. we're going to use the gradient map adjustment layer. and, as you can see, thegradient map applies these colors to the luminance values of the layer that you have selected.for example, the darkest colors here are going to be black, because we have black here. thebrightest colors are going to be white; white is here. this is another way in which youcan make hair black. so if i double click here on the gradient, you bring up the gradienteditor. you can click on this swatch here, and then at the midpoint, i can click anddrag that to the right, and you'll see that

the hair gets darker. if i double click onthis swatch and select red, now her hair is red. obviously, we don't want to do that. what i want to do is i want to show you atrick so we can get started, at least, on making her hair blonde. i am just going tocancel this for now, and what i'm going to do is click on this down pointing arrow, clickon this icon here, and select photographic toning, press ok, and it's going to give youthis list here—different tones that you can apply to your image. now, this one herelooks a lot like blonde hair. this doesn't look perfect, but it looks a lot like it.so, we're going to use that as a starting point. this one, here, if i right click onit, and choose rename gradient, you'll see

that it's called gold number 2, and that'sthe one we're using, gold number 2. so select that, and with the layer active, you can changethe blend mode to screen. now it looks good, but, maybe, not perfect.so, if you're not happy with the results, you can try adjusting the colors by goinginto the properties panel and double click on the gradient map to bring up the gradientmap editor. and i'm going to start adjusting these swatches. these are just the startingpoint, and i know that i don't want white, and i know that i don't want black in here,at all. i'm going to double click on this color here, and the darkest color i want issort of a dark orange, maybe, something like that. the brightest color is fine, and i don'treally need this brown and this light green

color, but i am going to adjust this colorhere, and, maybe, make that a little more yellow; something like this. press ok. andwhat i'm going to do now is i'm going to create a curves adjustment layer and click and dragin the middle here, just to darken up the image just a little bit, maybe, somethinglike that. and, when you're using that gradient map, you may not get the exact color thatyou want, but, you can always add a hue and saturation slider, and, simply, click anddrag the saturation or hue, to maybe, i want this, a little more red, and, maybe, it'stoo saturated, so i can bring down the saturation, and get something like that. at this point, i want to create a new curvesadjustment layer, and i'm just going to darken

it up. this is going to be for the darkestareas of my image, and i'm going to turn the layer mask black, to hide the effect. youcan press ctrl i, command i on the mac, to invert. and i'm just going to paint with whitein certain areas here. i'm, actually, going to bring the opacity down even further, so,maybe, 22%. i don't want these areas to be that bright.i, actually, want these areas to be a little bit darker. these are shadows; this area here.so, that's before, and that's after, and i can always adjust the opacity. what i'm goingto do now is show you how to add non-natural hair colors, so i'm going to create a newgroup. hold alt, option on the mac, click and drag the layer mask on to the new grouphere, and by the way, this is blonde hair,

so i'll rename that "blonde hair," and thisone will be "colorful hair." then, i'm going to create a hue and saturation adjustmentlayer, and i'm going to click on colorize, and, maybe, you want to turn her hair green.now, usually, when i see effects where the hair is an unnatural color, maybe, like greenor blue, or maybe, even pink or something like that, the hair looks unnatural becausethe saturation is bumped way up. so, you have to be careful with the saturation. so i usuallylike to bring the saturation down to zero, and i like to just increase it accordingly,and, maybe, somewhere around 30, and that might still be a little too much. i'm goingto bring it back down to about 24, and i'm just going to switch the blend mode from normalto color, just so i can use the luminance

values of the original image. notice what happened under the normal blendmode. it's a little washed out, but if i just switch it to color, it's got a little morecontrast in it. it makes it look just a bit more realistic, and, actually, at this point,i may want to even bring down the saturation just a tad. it's a little too saturated formy taste, so maybe, something like this. and if you still feel like you need a little morecontrast, you can always go into the curves adjustment layer, and add something like amedium contrast, and then, adjust the opacity accordingly. and, again, i like to bring theopacity to zero, and just add just a tiny bit, something like that. now, when you havethis set up, it's very easy to change the

color. now we can click on the slider underhue, and, maybe, give her blue hair, purple hair, or whatever hair color that we want.at this point, you may want to do that trick i told you about with the black hair, wherewe duplicated the bright pixels in the image. so we can, also, do that for this hair color.so i'm going to press ctrl j, command j on the mac, duplicate that layer—layer 1, clickand drag that all the way up above the color for hair color. make sure that nothing elseis enabled. these three groups are disabled, and that's before, and that's after. if izoom in, you will see that it's not just green. some color in there is very subtle, and ican increase it more so you can see. and i think it just makes it look a little morerealistic. i'll bring it back down because

the opacity was a little high. so, i'm just going to fit to screen here,close this, and that's the green hair. and, as i mentioned before, black to blonde ispretty hard to do in photoshop. sometimes, it can be impossible, depending on your image,but i'm going to show you a few tricks in which you may be able to fool the eye. again,this is not going to be photo realistic, but you might be able to get away with it, dependingon the image that you're working with. so let me bring that image up. okay, so we'regoing to do the black hair to blonde, using this stock photo here. we have this womanwith black hair, and i've already gone ahead and created a layer mask using the same techniquei showed you earlier, just so we can save

a little bit of time. so, as i said before, black hair to blondeis very difficult. if you're going to do it, make sure that the image you're using containsblack hair with detail. if you have big blocks of black hair, it's just going to be too difficult.so, even though this woman has black hair, i can see a lot of details on her hair, andthat's going to give us the best results. again, this is not going to be photo realistic,but i'm going to show you what i'm going to do in this situation. so, i have my empty"blonde hair" folder with the layer mask of the hair. i'm going to press ctrl and thenclick on that layer mask, just so you can see the areas that i'm selecting. and, asyou can see, i wasn't very accurate, which,

like, in the hair, but that's okay, i thinkthis is going to work. and if it doesn't, we'll fix it as we go. so i'm going to pressctrl d, command d to deselect, and i'm going to create a gradient map, and we're goingto use the gradient map we used earlier, this one here, the golden gradient map. and, i'mgoing to select it, change the blend mode to screen, and that's going to do a prettydecent job, but i want a stronger effect. her hair is black and it's really hard toturn it blonde, just with one of these gradient maps, so i'm going to click on the adjustmentlayer, click and drag that over to the new layer icon to duplicate it, and notice theeffect that we get. it, definitely, looks blonde, but we needto work on it a bit, so i'm going to bring

down the opacity to about, maybe, 64% or so.then i'm going to create a new curves adjustment layer, and i'm going to click and drag that,and bring this down to about here. i'm going to click on the adjustment layer layer mask,press ctrl i, command i, to invert, turn that black. and, i'm going to paint with whitein areas where i want blonde hair to show darker—in the areas like here, behind theear and neck, this area here. and i can always bring down the opacity, and, also, i can paintwith black. i'm not so happy with this area here. so what i'm going to do is i'm goingto paint with black, then i'm going to go into the fade command— edit, fade, so ican fade that large brush stroke, so you can see at 0% opacity, it's exactly what we hadbefore. i painted it away, 100% opacity, as

it's completely gone. so, i can slide thisaround until i find a place that i'm happy with, so, maybe, about 52%. and i can keeppainting with white on that curves layer mask, in areas that i want to darken up. and oneof the reasons i'm having problems right now is because my opacity is way too high. soi can bring that way down to, like, 10% and really take my time, and build upon it ifi want to. obviously, i'm not going to take too muchtime in this tutorial, but you kind of get the idea of what i'm trying to do. at thispoint, what i can do is create, yet, another curves adjustment layer and darken that aswell, maybe, something like that. also, press ctrl i, command i, to invert, but this timei'm going to work on some detail. so i'm going

to bring the opacity up a bit more, maybe65% or so, and use the left bracket key on my keyboard to adjust the size of my brushand make that really, really tiny, and i can start adding some detail in certain areas.and i know this is a little too dark, but i'm just going to bring down the opacity,and i'm using a wacom tablet, by the way, so it, definitely, makes it easier if youhave a wacom tablet. you can do with the mouse, it may take you a little more time, and youmay not be as accurate. so i'm sort of giving her a little more detail in her hair becausewe lost some of it by applying those adjustments, so that's before, and that's after, and, ofcourse, that's a little too strong, so, again, go to zero, and start increasing the opacity,and as soon as it starts showing up, you can

sort of release it, maybe around 74% or so.and, actually, you know what? i still think it's too much; maybe, i'll bring that down.so, we'll leave it at 54%. at this point, you may be happy with her hair,or may not. what i would recommend is creating a hue and saturation adjustment layer, andjust use the hue to fine-tune the color. maybe you want more of a golden look, somethinglike that, and you can decrease the saturation. maybe you only want to affect the color, sowe go to color; maybe you want to affect both the color and luminosity, you can just leaveit at normal, that's your choice. i think, in this case, for me, color might be the betterchoice. at this point, i can work in the layer mask. i see some areas that are not beingaffected by my effect, like this area here,

so i'm going to click on the zoom tool, andzoom in to this area here and simply paint with white in this area, and, actually, maybeincrease my brush size a little bit, and decrease it for certain areas. as i said before, it's really harder to dealwith black hair, especially in these areas here, where the hair is very fine. there areseveral things you can do. you can either clone out these stray hairs. so, for example,i can just disable that, create a new layer above the original layer, click on the clonetool, make sure that current and below, or all layers are selected. current and belowwill work fine for this. hold alt, option on the mac, then click on the area that youwant to sample from, and then, start painting

away those stray hairs. they're a little toodifficult to paint in, so you might be better off cloning them out. so i'm going to clickon the layer mask again, press b on my keyboard for my brush tool, then press d on the keyboardfor my default colors, and press x to swap my colors from black and white, and i canpaint away the yellow here that's not working. obviously, i can continue cloning this areaout, but that's something that you may want to do in your image. another thing that you may want to do is,actually, create a new layer on top of everything. with the brush tool selected, you can holdalt, option on the mac, select the color of the hair. in this case, it's yellowish color,and you can come in there and you can paint

in some hair strands. you can follow the strandsthat are already there and just create new ones. obviously, this is going to take yousome time, but this is one of the things you can do for those black strands that are hiddenthere in the background. so i'm going to just double click on the zoom tool here to zoomout, and this is what our effect looks likes. by the way, these stray hairs, the reasoni created them outside of the group is so that they're not affected by the layer maskbecause some of these strands of hair might go outside the main area where the hair is.so, having them inside of the layer mask may hide those, as you can see in this area here.so you want them outside. and if you do have this layer, just select the top layer, holdshift, select the original group, and press

ctrl g, command g on the mac, so you put thosetwo items into a new group, and now you can see the before, and the after. and that's it for this tutorial. i hope thatyou enjoyed it and that you learned something new. if you have any comments or questions,leave them down below. if you enjoyed the tutorial, don't forget to click that “like”button and share this video with a friend. if you haven't already, subscribe to the photoshoptraining channel now. thank you for watching and i'll talk to you again soon.

perhiasan dan logam mulia

why jewelry turns black

(non-copyrighted star wars theme) (film theorists theme) hello internet! welcome to film theory,looking for love in alderaan places. (laser blast and explosion) recently my friends over at screenrant did a video on their top 10 movie theories that change everything. my theories didn't make the cut, apparently. come on guys neo not being the one, ant-man destroying the planet? (sighs)

what do you expect of me? well, today i have one that they can't ignore. get ready, so star wars i can't think ofa single other film franchise that has had the impact that star wars has had onpopular culture. then there were the prequels that took that legacy and flushed it down the toilet faster than you can say jar jar binks.(sighs) actually don't say jar jar binks, it makes everyone squirm but now there'sanother, a new hope, or i guess a new new hope, star warsthe force awakens and with it all the hype and speculation you could ask forand as you loyal theorists know where

there's over analysis to be had follow it we will. that wasn't even closeto yoda. that said and all the excitement around each new trailerrelease, something the internet's noticed with the force awakens is actuallywhat's not in them. between all the nostalgic imagery, the stormtroopers andx-wings, the lightsabers and han solo himself, something or rather someoneimportant seems to have been completely omitted, luke skywalker, the originalprotagonist of the star wars franchise. mark hamill has definitely been cast this movie. his return, along with carrie fisher andharrison ford's, was a huge selling point

for this film early on and yet whenpressed on the subject director jj abrams himself has said that luke'sabsence from the marketing material for the film has been quote no accident andmark hamill himself has said he's keeping a secret that if revealed wouldcost him a ton of money. i don't know about you, but to me itseems like something is clearly a foot. obviously, this has set the internetablaze with wild theories about the fate of thefinal jedi and the plot of the new film but today we're uncovering the truthbefore it airs in theaters. in an effort to save you your hard-earned popcorndollars, i'm going to go out on a limb

and predict what you'll see when themovie finally gets released. the big secret isthis, luke skywalker, our lovable hero and up-and-coming jedi will in episode 7 be seen to have joined thedarkside. seem like a stretch? (scoffs) it's not. let's look at the facts. first,let's start with the lore that exists in the expanded universe. for those of youwho aren't ... umm what are star wars fans called like what's the star wars equivalent ofa trekkie? the warsian? a starwarian? a warfan! uh ... a starwarfan! yea, it's got a vaguecatchiness to it i suppose.

anyway, the expanded universe covers theofficially licensed material of star wars outside of the films, the clone wars,and rebels. in one story from the universe, the comic dark empire, emperorpalpatine's soul is reborn into a clone, yeah seriously, who is successfully ableto bring luke under his control through the seduction of the dark side. now,admittedly lucasfilms said that the expanded universe is no longer canon butthe seed of an idea certainly existed and honestly we've only just begun because when you think about it luke wasalready headed down the road to the dark side in the original trilogy.

i mean what is the dark side? well, it'sthe part of the force that draws from, shock of all shocks, darker emotions. youknow like fear, anger, hatred, aggression, all that good stuff. basically, the emocare bears. it's often described as the quick and easy path and jedi usually hadto train their entire lives to resist the seduction of the dark side going asfar as to live by a list of tenants that they called the jedi code. basically, thecode amounted to things like don't lie, don't murder, don't add bad cgi to your re-releases, etc. they even had a neatlittle mantra that summed up their order. "there is no emotion. there is peace.

there is no ignorance. there is knowledgethere is no passion. there is serenity. there is no chaos. there is harmony. there is no death. there is the force." man, the more you think about it, the more thejedi sound like a cult. even still this code didn't stop several prominent jedifrom falling over to the dark side. the number that did so is countless inthe expanded universe, but there are still numerous examples and stillcanonical material. count dooku left the order to become the sith lord darthtyrannis, obi-wan's master qui-gon jinn is also mentioned to have flirted withthe dark side and often disagreed with the jedi council, jedi knights barrissoffee and pong krell both fell to the

dark side during the events of the clonewars cartoon, and of course the most prominent fallen jedi of all anakin skywalker. during the productionof the prequel trilogy, george lucas himself explained that the star warssaga is quote like poetry it rhymes. qui-gon mirrors obi-wanamidala mirrors leia and the clearest example of all anakin mirrors luke. in the prequels, yodawarned against training anakin from the very beginning because he was too oldand full of emotional attachments but if yoda feared that anakin's training hadstarted too late

at the ripe old age of 10 then luke waseven worse off. he was right around 18 when he begantraining with obi-wan. in fact, when luke first approaches yoda, he also says that luke is too old of coursehe reluctantly gives in knowing that luke is the best hope for the jedi, but stillsounds awfully similar to what he said about the dark side's greatest warrior.let's also remember luke's failure at the cave of evil. one of luke's biggest tests is to confront whatever you mayfind in the cave on dagobah. within it, luke finds the shadow of darth vader,that he seemingly defeats only for

vader's mask to break revealing luke'sface underneath. now, not only did that foreshadow thetwist that vader was luke's father but it also hints that luke's destiny may beto become a vader-like figure. i mean yoda even says it himself! when luke asks what's in the cave yoda replies "only what you take with you."the only thing in there is luke. that shadow vader is inside of him beforeluke has any strong connection with vader. just wait till he finds out that it'shis father and if that wasn't enough, luke's emotions get the better ofhim when he brashly leaves his training with yoda to save his friends in cloud city,a direct parallel to anakin's own

recklessness and not only that but yodastraight up points out that he's making the exact same mistake vader made. "only a fully trained jedi knight withthe force as his ally, will conquer vader and his emperor. if you end your training now, if you choose the quick and easy path, as vaderdid, you will become an agent of evil." an agent of evil. how often do we see yoda wrongthroughout this franchise and yet luke left anyway and everything doesindeed go horribly wrong. he confronts vader and gets his handchopped off, bobba fett steals away han solo,

and everyone else only barely escapes in one piece. it's this moment, this defeat at the endof episode 5, where luke's change starts to happen. look at how is presented in episode 6. he wears black and stands ominously in a position that's visually similar to thatof the emperor and when dealing with jaba, he sounds arrogant, he makes threats,even flat out lies. "nevertheless, i'm taking captain solo and his friends. you can either profit bythis or be destroyed. it's your choice, but i warn you not tounderestimate my power."

that's not the way of the jedi and if welook at the climax of return of the jedi, luke's descent nears its completion andits similarities to vader are at its greatest. the emperor goads luke into striking at him,taunting him, and telling him "to strike me down with all of your hatred and yourjourney towards the dark side will be complete and luke tries it. he actually tries. the only reason hedoesn't murder the emperor in cold blood is vader intervening and blocking theattack. then when vader threatens leia later on, luke gets enraged, tapping into his dark side emotions, andusing them to defeat vader in combat.

he only stops after he cuts off vader's hand revealing the electronicarm underneath and realizing that he is literally becoming his father. palpatine thenurges luke to kill vader and become his new pupil, as anakin once didto dooku, but luke refuses saying that "i am a jedi like my father before me." now you might think that this one littlephrase means that luke is taking a stand and choosing the light but actionsspeak louder than words and none of his actions up to this point have been thatof a true jedi and look specifically at his choice of words.

"i am a jedi like my father before me." his father, yea ... the one who helped destroy the entire jedi order. not exactly the ideal rolemodel in that situation, so despite everything pointing towardsluke giving in and failing as a jedi everyone ends up ok in the final momentsof episode 6. seems kind of like a cop out doesn't it. well it does until you consider one more thing, a more blatant luke is falling to thedark side ending may have been what was originally intended for the film. meetgary kurtz, the producer of the first two,

star wars films with george lucas whoactually helped secure the funding for the first movie. this man is basically the co-creator ofstar wars in everything but title. however, as the series went on lucas andkurt's had a falling out about where star wars should be headed causingkurtz to leave production of return of the jedi. this was a huge blow to the cast andcrew with mark hamill describing the situation in broken family terminology. he said it was like mom and dad gettinga divorce. they were both equally loved

and respected on set, so gary kurtz definitely knows what he'stalking about when star wars is concerned. now believe it or not, kurtz actually went decades withouttalking about his falling out with lucas but in 2010 he finally explained wherethey were originally going with episode 6. now keep in mind that kurtz probablystill has a bit of a chip on his shoulder because of the falling, but hisword on the subject still has a lot of merit. he explained, "we had an outline and georgechanged everything in it. instead of

bittersweet and poignant, he wanted aeuphoric ending where everyone was happy. the original idea was that they wouldrecover the kidnapped han solo in the early part of the story and that hewould die in the middle part of the film in a raid on an imperial base. theinterview clarified the ending stating, "the discussed ending of the film thatkurtz favored presented the rebel forces in tatters, leia grappling with her new duties asqueen, and luke walking off alone like clint eastwood in the spaghetti westerns,as kurtz put it. this ending clearly isn't the one that happened, as kurtz explains it was because the toybusiness began to drive the lucasfilm

empire and lucas wanted a happier ending.that ending sounds very different from what we got, but a bittersweet endingwith luke walking alone into the sunset still doesn't mean he was going to turnhimself to the dark side right? well you should consider one more thing, mark hamill himself liked the idea in anepisode of the show dinner for five kevin smith asked hamil if he thoughtluke skywalker should have fallen to the dark side. "i should have ... i pitched that togeorge, no as an actor that would be more fun to play, i just thought that'sthe way it was going from when we finish 2

- i figured that's what will be thepivotal moment." and you know what the best part of all this is? jj abrams directorof episode 7 was at the table during that episode of dinner for five. markhamill was basically pitching that to jj and honestly i think he'd do it. rememberepisode 7 takes place 30 years after return of the jedi so there's really plenty of time for thedarkness to set in on luke's psyche but here's the biggest thing, lorecharacterization aside, look at the man behind the movie. abrams has a philosophy aboutmovie making that his film should be made

like a mystery box. he did a really interesting ted talkabout it which if you haven't seen you should totally watch. "it goes on and on and look likestar wars, you got the droids and then you get the mysterious woman, who's that? we don'tknow, mystery box you know when you meet luke skywalker. he gets the droid, you seethe holographic image, you learn all it's a message, you know, she wants to you knowfind obi-wan kenobi, he's her only hope but who the hell goes on kenobi mysterybox so you go and he meets ben kenobi, ben kenobi's all is obi-wan kenobi, holyshit you know, so it keeps it something ...

have you guys not seen that?" basically,the gist of it is that he thinks film should be a surprise. you shouldn't know spoilers going in andtwists should be hidden until the release. an excellent example of this was hiswork with star trek into darkness. everyone involved with productioninsisted that benedict cumberbatch wasn't playing khan, going so far as tocreate fake leaks, have actors like karl urban and accidentally reveal thatcumberbatch was playing a different villain, and film fake scenes with adifferent name for pre-release materials. if there is anyone anyone who wouldappreciate this sort of twist, the idea

that the hero we followed for threefilms has suddenly turned to the dark side, it's jj, i helped create lost, abramsbut he's learned his lesson from into darkness and has sealed this twist socompletely in his mystery box that he isn't even giving us a glimpse of lukebefore the film hits the silver screen. he doesn't even want to run the risk ofany clues getting out so that way luke's tragic fall shocks the world on december18 as yoda himself says "once you start down the dark path ... forever will it dominate your destiny." luke started down that path in themovies and abrams is the type of

director who would take that idea andrun with it. is luke a fallen jedi in the force awakens? yes, i think so, but hey that's just atheory ... a film theory ... at least until december 18, by the way while you're hereconsider subscribing because we have more star wars theories up our sleevein anticipation of the new movie. all aboard the hype train, whoo whoo, andseriously i joked about it before but do take a minute to check out my friendsover at screen rant and their video on the top 10 film theories that changeeverything.

there's some fun ones in there and noneare ones that we've actually covered so click right here and go check it out then let me know which one you want tosee me cover in a future episode. i'll be watching taking note and then adding itto my list of ones to cover in 2016 and finally if you don't care about any ofthat other stuff one last vote light side or dark sideeasy as that jedi master or sith lord click on one to choose we'll see whichside ultimately wins ...

perhiasan dan logam mulia